New Mexico, Vegas

 Warped 2011  Comments Off on New Mexico, Vegas
Jun 302011
 

My view when theres no band on

From 2011 Warped

Lets play whats wrong with this photo…

From 2011 Warped

Yes, the crowd is, in fact, on the wrong side of the barricade

From 2011 Warped

How did this happen? I blame the Exploited.

Heres how fancy my stage looks when folded up in Vegas

From 2011 Warped

In case you’re wondering how to set a kickdrum mic for a metal band

From 2011 Warped

Vegas in the morning

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And lastly, Sharks

From 2011 Warped
 Posted by at 7:45 pm
Jun 302011
 

Something happens to the generator and we lose power.

Babbyfood walks onto the bus “hey, why are there no lights?”

Response “how many soundguys does it take to fix a lightbulb?”

 Posted by at 9:52 am
Jun 282011
 

This time I’m working the Kevin Says stage. Now this stage is unusual for several reasons. One, its solar. Its got an array of panels on the roof and giant batteries underneath. Two, we dont get a truck. So all my gear and all the backline have to ride on the stage from show to show. So far the pack is this:

From 2011 Warped

Very interesting with fitting it into the space that is left behind after the stage folds up. Stage manager Stu has it down.

And what do you know, it folds out too

From 2011 Warped

Yes that band is called what you think it says

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and after three hard days, let the hotel lounging commence

From 2011 Warped

Staying in the high desert of New Mexico now. Its over a hundred during the day and very windy at night. Theres a stillness here too that you only get in the desert. Looking out my window now theres people in the hottub, which I cannot begin to fathom.

The Country Throwdown crew arrived today at the same hotel, so its an unusual meeting of tours passing in the night. Lets see if we can get all the rats together for some quenching of thirst.

From 2011 Warped
 Posted by at 7:35 pm
Jun 242011
 

Dallas, TX

A little bit warm (95deg) and taking full enjoyment of the sun. By that I mean 70spf sunscreen and hiding whenever possible. The usual scene as I leave the bus, “Where the he** is my stage?” Pick a direction and start wandering. Find a truck that might be it then follow it around till I learn that all my PA is in the mainstage truck. Go hang with the mainstage guys till they get to my gear in the nose, then borrow most of their hands to push it all the way to the other side of the venue (parking lot). Send the guys back and watch as my stage unfolds. Once the stage is set its time for some gear. Roll my gear up and get to work. First issue of the day, my power comes from a wing distro with needs to plug into a big power source with cams. What do you know, the solar stage doesnt have cams, what does it have you might ask? Just a two pairs of quadboxes. Interesting. One phone call later and I’m opening up all the racks (by that I mean the one and only rack I have) and rewiring their power cords into two power strips and two 5ft extension cords. Why not all on one power strip? Well these are giant amps which draw a lot of power, the most common max you can get from a household outlet is 20amps, but the max you can get from a household powerstrip is 15amps. I need all the power I can get hence running the subs amp straight to the wall, and splitting up the amps for the high frequency drivers amongst the powerstrips. This got everything running but then appears the second issue of the day: not enough returns for the monitors! Only three returns were left open on the drive snake for four monitor channels. A quick consult with the crew chief Tommy and mainstage FOH Babbyfood and it was decided that means two channels of something needs to share. Originally, combining monitor mixes was considered, but ultimately thrown out for running the 15″ lows in mono. With rat traps (as mains) there are 4 different sizes of drivers, add subs and that gives you a 5 way system. Subs are almost always run in mono since human hearing cant tell which direction low frequencies come from. Since the subs are 18″ drivers and the lows are 15″ I dont lose much of anything by running them in mono too. Just unplug the second drive line and switch the amp over to parallel. Made some loud noises then loomed some cables. On tour theres no time to set up cables one by one, or time to troubleshoot and backtrack one end of a cable to another. The solution is to tape everything together into big bunches. That and yelling at any stagehands with knives at loadout and youre good to go. As the sun gets low its time to throw some tarps over everything and call it a night. Time to back to the hotel for hotel shenanigans.

From 2011 Warped

Tomorrow, a rock show.

 Posted by at 6:21 pm